a quilt for Anias

I recently realized I never blogged about my friend Karissa's son Anias's quilt, and he's two! I don't remember if she gave me any ideas for the quilt, but I think there may have been a discussion about bicycles... Anyway, I used some in his quilt (wheels on the front and in the binding and a big piece on the back) and love the back just as much as the front because of it! There are some guitars on the front too, because Stan, Karissa's husband and Anias's dad, plays guitar. I was inspired by these pillows from She Can Quilt and really like the simplicity of the front. It really shows off the fabrics and differences in value. I have to thank my mom for the back because I'm 99% sure that the Echino fabric came from her stash. I don't remember how I quilted it and I can't tell from the pictures, oops! Karissa, any input? :) 

I took this sideways picture (oops again) of rascally Finn at a meeting of my guild, the RI MQG. I hadn't sewed the binding to the front yet but still wanted to bring it for show and tell :)

Lastly, here's the label I hand stitched on. I don't usually do that and don't remember why I did, but I think it gives the quilt a nice touch. Just goes to show why I should really stay on top of blogging! The whole point is so I can remember the quilts I make and the things that make them special. I'm ever so slowly catching up, and I'm much less productive lately with a new baby to care for so maybe I'll be back on schedule soon.

put a bow on it | a quilt for Norah

I made another quilt from start to finish in less than a week, immediately after giving the pinwheel quilt to Sage. I told Matt that I feel like a machine lately, and I don't know if that's a good thing or not. On one hand, I like being productive and prolific, but on the other hand I've found that I'm working so quickly lately that some of the enjoyment is lost. I've been trying to meet self-imposed deadlines (baby's birthdays, mostly) but I haven't been getting any quilts done "on time" anyway. I think it's time to slow down a bit, so I can concentrate on my work and the process rather than the end result. Anyway, this quilt is for yet another baby, the daughter of our friends John and Rachel. I made a quilt for their first child, Elliott, who was born just a couple months after Finn, and they loved it and appreciated it so much that I started planning one for their second child pretty much the moment I found out Rachel was pregnant. Originally I planned on making a giant saw tooth star block, but I've wanted to make a bow quilt since I saw this one from Piece at Last and to be honest, I felt like I needed to make something quick after the pinwheel quilt. Plus I have a few other designs in process and in my mind that I need to get working on, so this simple design was a great fit for this project. The original design can be found in The It's Okay If You Sit On My Quilt Book, but I just sketched out the bow and figured out how many squares and half square triangles I needed. I'm curious, what are your thoughts on making a quilt like that? I copied the design of another quilter though I didn't buy her book. I'm not profiting off of this quilt in any way though, so I think it's okay. Just wondering how others feel about this issue. It tends to come up a lot in conversations about handmade goods. 

Back to the quilt! I've had the fabric picked out for this quilt ever since I knew Rachel was having a girl. Rachel told me the baby's room would probably be decorated in coral and gold tones, and I know that Rachel appreciates vintage grandma style so I selected another of my quilter's quarters bundles by Denyse Schmidt for Joann. I was lucky to have been given one by my mom (she's nice like that) and I purchased a second one when I found it at Joann unwrapped and therefore discounted! And I confess to purchasing a third bundle on etsy as I was working on this quilt because I realized how much I really like these fabrics, though they aren't my usual style, and I didn't want to be without them. I didn't intend on making a scrappy background, but I decided against using solid white because I had some low volume fat quarters that coordinated with the Denyse Schmidt prints nicely and I'm trying to sew my stash this year. After the bow and background were pieced I decided to add a patchwork border because the quilt was going to finish on the small side, only 35" square, so I dug into my stash to find some more low volume prints. I don't have that many so there are a bunch of repeats and I think they kind of distract from the bow but I still like the way the quilt came out. The little animal faces print redeems the border for me, though you can't see them in the photos, I don't think. For the back I used a large cut of a sweet and subtle polka dot and ladybug print along with another DS print, and the binding is scrappy ladybug and DS, too. I had a lot of fun quilting this one. I attempted some more free motion and tried my hand at a large orange peel design. I did three rows freehand and then realized I did one section facing the wrong direction which was really annoying, but I tend to just go with my mistakes and wasn't going to fix it. Then my mom came over and I pointed it out and she said two things - 1. I should mark the quilting lines so the orange peels look better (subtext: your quilting looks terrible. Thanks, Mom! ), and 2. Did I want her to rip out the stitches that were going the wrong way? I sighed and then accepted her offer, and I did mark the rest of my lines and the quilting started looking much better. In fact, the original row of quilting looks terrible in comparison to the rest. Sorry, Norah! Mother does know best ;)

I tried to think of somewhere vintage-y to take pictures and I thought of this old church near our house, so the next time we went out I asked Matt to bring his camera and we stopped on the way home from Lowes one day last week. The front door is really pretty and the side of the building has old fashioned white wooden siding with stained glass windows, but as you can see, he only took two pictures because Ezra was yelling from inside the car (which was less than ten feet away from where I was standing on the steps) that he wanted to get out, again. Needless to say, we wrapped up the shoot pretty quickly. Next time I think I'll pick a quilt photo shoot location that's not on a main road or near water so we don't have to worry about the boys :) 

I'm going to quote a fellow quilter, Astrid, again today - "The problem with making stuff for other people is that one day you actually have to say goodbye to these things you've poured a whole lot of yourself into. Things you've fallen a bit in love with, in the process. But that's the point, right? To pour out, over and over, in order to make space for new inspiration. To share the bits of ourselves that perhaps others are in need of. And if it doesn't hurt a bit to give it up, maybe there wasn't enough of us in it." Norah, I hope this quilt keeps you warm and brings you comfort! My love and prayers for you are stitched right into it. 

spinning pinwheels | a quilt for Sage

Yesterday I delivered another baby quilt, this one to the new daughter of a dear friend. I'm really happy with the way it came out for so many different reasons. Just ask Matt - he was sitting nearby when I was trimming threads and I kept bragging on myself :)

When I asked Ari if she had any ideas for what kind of quilt she might like for the baby she suggested a pinwheel quilt and gave me a stack of fabrics from a quilt she had started for her older daughter. I admit that inwardly I was dreading it a little bit because I don't love working with half square triangles. I don't like trimming them and I always lose too many points, but I was up for the challenge and grateful for the chance to improve my skills.

I went fabric shopping in my stash for some coordinating prints and I bought yardage of firefly from Bonnie Christine's line, Hello Bear, which I love. The rest of the fabrics are a mix of lots of pretty colors and prints - some of Heather Bailey's True Colors, Winged by Bonnie Christine, a random polka dot, some Cotton + Steel, one by Lotta Jansdotter, and I think the cute little ducks are by Tasha Noel. Even the back is beautiful - one big piece of Heather Ross's unicorns and some of her double gauze snails from Far Far Away along with some polka dots and a solid lavender.

I was inspired by this quilt by Allison of Cluck Cluck Sew to add the polka dots instead of using plain white for the pinwheels. I've had it pinned to my quilt board on pinterest (you can follow me here, if you'd like!) since she posted it about a year ago, and I would have loved to be able to make the black and white low volume sections scrappy, but I don't have a very big scrap stash so I went with the firefly print instead. I love the contrast the creamy white provides for the bright and bold prints. I used this Missouri Quilt Co. tutorial to make the HSTs which made them go pretty quickly, although I confess I didn't use starch and they still turned out alright.

I mentioned earlier that I was happy with how this quilt turned out for many different reasons, so let me tell you about them all :) First of all, I love all the prints and colors and gleefully exclaimed over them as I was cutting and piecing. My points are all soooo good, which never happens for me. I admit that I tend to rush and that leads to inaccurate seam allowances but I really took my time with this one and it paid off. I sound like a rookie; you'd never think I've been quilting for about seven years.

I also learned how to spin my seams to make them lie flatter. I've made one other quilt with all half square triangles and I felt terrible for my nephew who received it because the centers are so bulky and I just couldn't imagine his tiny baby self comfortably lying on it, but I didn't know any better. This time I thought to myself that there must be a better way so I looked it up and sure enough there was. It added another step to the process but I didn't mind because it was totally worth it.

I haven't done a lot of free motion quilting, just some simple loop and wave designs that were large and loose, but I decided to really go for it with this one. Since it's a pinwheel quilt I wanted to make the quilting look like wind but I'm not sure I achieved that. I quilted uneven kind of long swirls but they ended up looking just like swirls and not like wind. But I like them anyway and it made the quilt crinkle up perfectly. This was the first time I quilted an all over design this densely and I'm excited to work on my free motion quilting skills more soon.

Now on to the binding. Ever since I first saw this print by Sarah Watts from her first collection for Cotton + Steel I've wanted to use it as a binding and this quilt was the perfect one for it. The colors were all just right and I love the way it almost looks like a stripe. I can't remember if I've written about my labels before, but I love them! I think I've used them on probably less than ten quilts and there are a couple things I'd change about them (they're a tiny bit too small and I sometimes think about coming up with a name other than Tara Celeste Quilts) but I love them and am so glad I have them. They're printed by inked papers with a design I created on paper and Matt translated to the computer. Next time I'll have to get a picture of the reverse side which features a cute heart and an outline of Rhode Island :)

As you can see, Finn broke the quilt in a bit before we brought it over to the new baby. He and Ezra make it impossible to get the kind of quilt pictures I have in mind, but I think the way they came out is kind of perfect. Sure, the quilt is billowing like a sail (why do I always think it's a good idea to take pictures near the water?) and there are children grabbing at it and rolling around in it, but I love that we got a few cute candids of the boys out of my quilt shoot. As always, thanks to Matt for being willing to take some photos on his time off! He doesn't have much of it so I always appreciate that he doesn't mind taking out his camera and then editing some pictures for me. It's always nice to have a little family outing during the week since Matt is so busy on the weekends. On this day we tagged along on a commercial shoot he was doing for a realtor and then we had a picnic lunch from the Beehive Cafe (the roasted chickpeas!) at Independence Park in Bristol. If I could live in Bristol and never have to leave I think life would be great. It's so adorable there.

Anyway, I hope this quilt brings much comfort and warmth to sweet baby Sage. I've been thinking a lot lately about what a quilt can be because I really love making them and hope they're as special to the recipients as they are to me. A quilt can be something you snuggle under, something that keeps you warm, something that dries your tears. It can become part of a fort or be a picnic blanket. It might be used as a photo prop, or just be in lots of family photos by accident because it's a fixture in your home. A quilt can be woven into your childhood memories because of all the ways you can use it, and I do hope my quilts get used. A fellow quilter who I know on instagram, Astrid, writes a lot about quilts and their importance, and I'd like to quote a recent post of hers: "A friend asked me recently, "How do you want people to use your quilts?" and it took me by surprise, because I'd never thought of an answer beyond "however you want." But really, I want them to get worn out. Lived in. Lived on. Lived under. I want them to be dirty from picnics outside, and stained from orange juice spills, and for the colours to fade and the patterns to wear off. I want them to be handed back, in tatters, for fixing. I want them to grow threadbare from a hundred little feet trampling on them." 

Suffice it to say, a lot of love and prayers went into this quilt and I hope it is well loved :)

a quilt for Audrey | stars and hexagons

I have a few more quilts to blog about before I'm all caught up, and then I'll be making a new wave of quilts! So many of my friends are pregnant at the same time - currently I have seven baby quilts to make this year, all before the end of July! And there's no telling who else will announce that they're expecting before the end of the year. Anyway, I made this quilt for my friend Hillary's daughter, Audrey, before she was born, and she'll be two in just a few short weeks.

Hillary liked the look of stars and hexagons, so I pieced together some large hexies and let the negative space create the stars. It's difficult to see in the photos, but some of the white hexagons are actually made of a really sweet pink on white flocked polka dot fabric.

Some other sweet details are these little strawberries, funny olives, and lots of florals.

It's quilted with simple straight lines to outline the hexagons. I made this quilt in December of 2012, and looking at these pictures makes me realize how much my skills have improved since then! It's nice to look back and be able to see progress.

The backing is a large cut of a Heather Bailey print, a strip of pink seersucker (I love using seersucker in baby quilts, it makes them so soft!), and one other random pink print I had in my stash.

It's bound in the pink seersucker, too. I think we all know I love a stripey binding!

I wrote this label out on the morning of Hillary's shower and brought it with me so my mom could hand stitch it on for me! I have exactly zero hand stitching skills (really need to work on that) and my mom is always kind enough to help me out. Usually I try to piece a square of fabric into the backing so I can just write directly on the quilt, but I didn't do that here.

And just this past weekend Matt helped me put my idea for a quilt label into an actual design that I'm having printed! I can't wait to use them. These are the things that get a quilter excited :)

Now I have to get to work on a quilt for Audrey's little sister! She's due in May but I had the colored pencils out today so I could start sketching out a design. Coming up with a plan is one of my favorite parts!

gingham and robots | a quilt for Elliott

I'm posting about this quilt, totally unintentionally, on the recipient's first birthday. So first let's wish Elliott a very happy birthday! I made this quilt for him using lots of my favorite fabrics - some robots by Kokka, guitars by Michael Miller, a few Denyse Schmidt prints, one of Heather Bailey's prints from her Nicey Jane line, and two solids. Simple rectangle patchwork made this a quick quilt to finish in time for my friend Rachel's baby shower even though Finn was a newborn at the time. It seems so far away now! I can't believe these boys are one now. 

I found this gingham in my stash and it made the perfect backing. I had planned on making myself a scarf with pom pom trim with it but I never got around to it and it was too perfect for the quilt not to use it. All my non-quilt sewing projects get pushed to the side and forgotten about because quilting is my favorite.

More stash usage here in the binding - solid gray coordinates nicely and there's one little strip of gingham in there that totally makes it.

Those robots! I love them.

I made a stack of burp cloths with some scraps because I looove using up scraps. I always forget how time consuming scrappy burp cloths are to make, and just for spit up. At least they're useful!

As you can see from this and the top photo, I had a helper during my photo shoot :) Ezra took the photo below, too. I'm so proud - he's a budding quilter and a budding photographer ;)


John and Rachel were so thankful for this quilt which made it even more special. They sent me the nicest thank you note and raved about it repeatedly in person. Apparently John borrows it occasionally :) John posted a couple pictures to twitter when Elliott was a newborn and I just have to share this one of him at ten days old on his quilt - ha! Happy birthday, Elliott! I'm so glad you were born!